of what ifs and erratic suspicions:
Such as:
Will you always want
to kiss me - and only me - for the rest of your (ever living) life? (Yours)
(Mine)
The usual fare- you off gallivanting with some girl. Yes.
And then
the more peculiar:
"What would
you do...if...,"
my legs
stopped working.
And I ended up in a wheelchair. Indefinitely. But the
prognosis was good. But we
weren't yet married. Would you leave? What if the prognosis was not so good? Would you stay? And if so, why?
Friday, January 31, 2014
I could
describe the storm.
Its completeness. The scenery of its impact-
the devastation
or sketch,
in detailed imagery,
a picture
of the calm that came before, parading, flaunting
an illusion of peace and
safety.
Tell you that the
sun illuminated
dewy grass, and the sky was bluer than blue-
than usual.
That the
air was
describe the storm.
Its completeness. The scenery of its impact-
the devastation
or sketch,
in detailed imagery,
a picture
of the calm that came before, parading, flaunting
an illusion of peace and
safety.
Tell you that the
sun illuminated
dewy grass, and the sky was bluer than blue-
than usual.
That the
air was
warmer.
That for just a minute, every
living creature and
act of nature held its breath.
That there
was a hush just before the operatic swell.
That for a fleeting moment,
the planet stilled
before it tilted
before the meteor hit.
And it was chaos and the picture was not pretty.
That for just a minute, every
living creature and
act of nature held its breath.
That there
was a hush just before the operatic swell.
That for a fleeting moment,
the planet stilled
before it tilted
before the meteor hit.
And it was chaos and the picture was not pretty.
Do you want
to hear about the
smear of people struck lifeless where they stood, about
the pooling blood, sticky red, where their heads fell against seared
rocks, their bodies tossed with force and
then the corpses, laying in an
apocalyptic, barren landscape for days on end?
apocalyptic, barren landscape for days on end?
I could draw
you in this way and hook you with harpoon of view and speak for pages of what it
you in this way and hook you with harpoon of view and speak for pages of what it
looked
like,
make you queasy from the poison in my pen, and all
the power wielded in a story. I could haunt with
words, foreshadow what you know is
like,
make you queasy from the poison in my pen, and all
the power wielded in a story. I could haunt with
words, foreshadow what you know is
coming
but I think you’ve heard all this before. I think it’s worn. And this
is just a metaphor. And what it felt like is more my
but I think you’ve heard all this before. I think it’s worn. And this
is just a metaphor. And what it felt like is more my
specialty.
So I want
to tell
you what happened. Before and
after. I want to
tell
you that it was unavoidable and had there been a warning, still it could not have been prevented.
I need to tell
you the price we paid, simply for believing
in the picturesque – in the fairy tale,
for not
noticing the side streets
littered along the way, or the solemn mockery of the ornamented, bawdy lawns- the pink flamingos
stuck lopsided in the sod, or how the sheen on the green of the grass was strangely bright – unnatural. The pleasant-ness of it all. We ignored the prophecy of those prepared, those who stocked their pantries, crying out that the
end was near. It all reeked of that sharp, distinct aroma of rotting dreams amidst denial. We chose instead to look away from what
we lacked, to inhabit what wasn’t
real
to tell
you what happened. Before and
after. I want to
tell
you that it was unavoidable and had there been a warning, still it could not have been prevented.
I need to tell
you the price we paid, simply for believing
in the picturesque – in the fairy tale,
for not
noticing the side streets
littered along the way, or the solemn mockery of the ornamented, bawdy lawns- the pink flamingos
stuck lopsided in the sod, or how the sheen on the green of the grass was strangely bright – unnatural. The pleasant-ness of it all. We ignored the prophecy of those prepared, those who stocked their pantries, crying out that the
end was near. It all reeked of that sharp, distinct aroma of rotting dreams amidst denial. We chose instead to look away from what
we lacked, to inhabit what wasn’t
real
and I think, in fact, it rained the day
you left,
and I think that
it was evening.
And I don’t remember what the sky looked
like,
or whether or not it was
you left,
and I think that
it was evening.
And I don’t remember what the sky looked
like,
or whether or not it was
warm.
But I know the planet tilted and that it was my voice that broke the silence and that your absence left a crater in all I ever took for granted and that
the shock came in waves for months and months and that I was blinded. And when I regained sight, I saw our house in pieces, and had to pull my body from the rubble and instead of we, there was only me, and that just the idea now of us seems far away.
But I know the planet tilted and that it was my voice that broke the silence and that your absence left a crater in all I ever took for granted and that
the shock came in waves for months and months and that I was blinded. And when I regained sight, I saw our house in pieces, and had to pull my body from the rubble and instead of we, there was only me, and that just the idea now of us seems far away.
Maybe, it’s melodrama. But,
maybe it’s all I know. Maybe how I feel
is my landscape and the scenery of what you left behind is stark and more
real
than the
ground I stood on when you were here.
real
than the
ground I stood on when you were here.
I can't write the squinted vision of the splay of sun
through the tree outside the window.
I can't write the knowing of other women
when we kiss.
I can't write their mimicked movements
or their twin sorrow twining with our limbs.
I can't write the matte eggplant colored walls
and brass headboard set against,
the facade of greens cascading; rose candescence
lighting; the wispy romance.
I can't write the taste of your tongue
or the scent of your quiet.
I can't write what my memory knows or feels
or sees, what my marrow anticipates.
But I acknowledge presence and my soul
is soul of woman and so my soul is soul of poet.
through the tree outside the window.
I can't write the knowing of other women
when we kiss.
I can't write their mimicked movements
or their twin sorrow twining with our limbs.
I can't write the matte eggplant colored walls
and brass headboard set against,
the facade of greens cascading; rose candescence
lighting; the wispy romance.
I can't write the taste of your tongue
or the scent of your quiet.
I can't write what my memory knows or feels
or sees, what my marrow anticipates.
But I acknowledge presence and my soul
is soul of woman and so my soul is soul of poet.
There is peace, even in the middle blue of daisies,
and they still know how to dance.
They breed
creeds as varied as their delicate, complex steps.
Believe in breeze of day as well as death of night.
Dressed in every shade,
their feet feel the moves
like a boy feels out a girl's desires.
My center bends for you this way,
caves to your lead.
You found me motionless
under a heat-sapped memory,
blind to
the eye
of dawn,
moored in taunt of moon,
undiscovered
until you rescued me.
You hung me upside down to dry,
and then pressed me to preserve.
I waited,
unsated,
dated.
I thought you meant to kill me,
lock me in a memory,
box me away
in the rear of your mind,
twirling ballerina with bloody feet
beautiful, mermaid, shored
clipped winged angel
drowning in the dunes of lies that once I promised you something,
cage me behind some rickety purity
clambering
but you did not forget
I was only seed clay covered
guppy child child, loverless
feathered, unpaired, hovering
failing
but you knew you could fix me
breathe me back to life
that I needed you to swim and dance and fly
my toes slant
and my arms bloom
like anemones
and they still know how to dance.
They breed
creeds as varied as their delicate, complex steps.
Believe in breeze of day as well as death of night.
Dressed in every shade,
their feet feel the moves
like a boy feels out a girl's desires.
My center bends for you this way,
caves to your lead.
You found me motionless
under a heat-sapped memory,
blind to
the eye
of dawn,
moored in taunt of moon,
undiscovered
until you rescued me.
You hung me upside down to dry,
and then pressed me to preserve.
I waited,
unsated,
dated.
I thought you meant to kill me,
lock me in a memory,
box me away
in the rear of your mind,
twirling ballerina with bloody feet
beautiful, mermaid, shored
clipped winged angel
drowning in the dunes of lies that once I promised you something,
cage me behind some rickety purity
clambering
but you did not forget
I was only seed clay covered
guppy child child, loverless
feathered, unpaired, hovering
failing
but you knew you could fix me
breathe me back to life
that I needed you to swim and dance and fly
my toes slant
and my arms bloom
like anemones
Thursday, January 30, 2014
on love and writing
writing is a sharp
sharp
pencil
or a colored pen
sharp
pencil
or a colored pen
swimming strokes
the first bite of a brand new journal
the entire longwide
space
of a blank white page
a favored worn thesaurus
the wading through
serious
the entire longwide
space
of a blank white page
a favored worn thesaurus
the wading through
serious
game
gearing up
buttoning up
plowing through
dressing sentences and hiding clues
like up a sleeve
ceding seeding stealing
like kisses
chewing like on gum
gearing up
buttoning up
plowing through
dressing sentences and hiding clues
like up a sleeve
ceding seeding stealing
like kisses
chewing like on gum
writing is staying
inside too long on a sunny day
inside too long on a sunny day
writing is
scrawling on the back of receipts at a
stop light
like a fiend
the rouse of the morning muse
nursing noisy nymphs
ideas high on caffeine
insomniac stirring whirring thoughts
that smack of brilliance when
sleep deprived and only half awake brain frazzled ruse
scrawling on the back of receipts at a
stop light
like a fiend
the rouse of the morning muse
nursing noisy nymphs
ideas high on caffeine
insomniac stirring whirring thoughts
that smack of brilliance when
sleep deprived and only half awake brain frazzled ruse
seeking
obsession
too much not enough slivers of wisdom
and what’s been repressed
depressed
regressed
too much not enough slivers of wisdom
and what’s been repressed
depressed
regressed
invention
writing is
comparison contrast
inversion paradox exaggeration rhythm feet
tapping blue like jazz elevation
comparison contrast
inversion paradox exaggeration rhythm feet
tapping blue like jazz elevation
writing is caring
shading not caring blotting steering tightening tripping
hulling sharing
hard
loosening and a
restraining
a raging pondering
filtering
shading not caring blotting steering tightening tripping
hulling sharing
hard
loosening and a
restraining
a raging pondering
filtering
writing is a whore depraved redeemed
a jolt or jab
a filtering a filling gag
of
intention cute
dreaded reaching
rooting
a jolt or jab
a filtering a filling gag
of
intention cute
dreaded reaching
rooting
writing is a good book and
a want
a kindling
a catching fire
a café a bar
a calling
crawling
a madness
a want
a kindling
a catching fire
a café a bar
a calling
crawling
a madness
writing is a kind of mothering and a
thievery of sorts
thievery of sorts
it’s getting lucky
it’s finding
a return for words the finite in the
infinite finding where you went wrong
saving giving slaving slimming wedding stewing all day slewing harping spinning
finding a return to you
a return to love
saving giving slaving slimming wedding stewing all day slewing harping spinning
finding a return to you
a return to love
is need is not
need
came
telling
is real
is keen
need
came
telling
is real
is keen
buds
runs
stands
runs
stands
love is spotting your smile
sprouting
lit up
you smiling at me as you pull into our driveway
me seeing it from where I’m writing on the porch
sprouting
lit up
you smiling at me as you pull into our driveway
me seeing it from where I’m writing on the porch
love is my luck
falling asleep in your arms
love is the package of then and now is red like the roasted leaves in autumn
not leaving not gone
not late not proud
can’t be jinxed
not leaving not gone
not late not proud
can’t be jinxed
love is a nest
our house
our house
my heart
beating wildly back and forth
beating wildly back and forth
is poured out
knocks
leads follows
camps out rides in is
pinned upon my chest pines is written stenciled pales next
to nothing bides unlocks fights
is rare
tops
tops
yearns
love is
my skin
still shy
but slipping through my eyes
my skin
still shy
but slipping through my eyes
love is the scent and the feel of your skin blurring
with mine, especially
in the morning your barely open lids
in the morning your barely open lids
it’s a big deal
the nape of your neck you turning back to me in bed
toasting me
a tandem bike a bough
your hands working out the
kinks shutting the door
digging like through a sales rack
crazy like our families
crazy like our families
love is you
brewing a fresh pot of coffee
brewing a fresh pot of coffee
love is proof in the pudding and
a picture a child drew
a picture a child drew
love is a passage and
a shape
a tattoo
a shape
a tattoo
love is the taste
of the obvious
of the obvious
your stare coring
decoding me
decoding me
the unmistakable sound
of your delighted
laughter
of your delighted
laughter
it is
imagining you as a
boy
and knowing you as
a man
imagining you as a
boy
and knowing you as
a man
love is my tongue
tied
and love is
always
superfluous
perspicuous
not
tied
and love is
always
superfluous
perspicuous
not
love is room to move
around
and
then come back
around
and
then come back
love is a still
quiet day
you home
a sunday
quiet day
you home
a sunday
free verse blank verse and form the flow like slam like poetry
love is a parable
inspiration
to return
to our room
to write
to return
to our room
to write
love is always
finding –
needing
words
when I’m with you
finding –
needing
words
when I’m with you
a blaze
a desire
a madness
a desire
a madness
every synonym and simile
finding you in words
writing is love is you
Saturday, January 25, 2014
Disambiguation
i am looking at my leg
bent above your thigh
i am thinking about the picture it makes not
one taken but a painting maybe an erotica
so not tasteless
not the thrust just this inter-
twining
i am thinking about the picture it makes not
one taken but a painting maybe an erotica
so not tasteless
not the thrust just this inter-
twining
just this
still scene
so not the trembling the trust
so not the trembling the trust
unheard the drawn in
gasps against your chest
just the
canvas
just the
canvas
just
the twinning and also what
makes nothing happen saying what lasts
the twinning and also what
makes nothing happen saying what lasts
the whispering and the
secret shades of taste
sweet spoken of later pinks
so reds but even
so
you see differently than me
not simply
but plainly naturally sincere of heart poles
sweet spoken of later pinks
so reds but even
so
you see differently than me
not simply
but plainly naturally sincere of heart poles
apart sharp lines
perhaps links
so
the picture
less abstract and
so
i am open absorbing impressed upon
imaginings of sighs bent above your thoughts
less circuitous than
the wanderings of a woman’s
mind
so
the picture
less abstract and
so
i am open absorbing impressed upon
imaginings of sighs bent above your thoughts
less circuitous than
the wanderings of a woman’s
mind
and
so i am
always what is left to the
and also
always as we say
i really am
fine even
though
i am always
thinking even
of women
you knew that i never knew
thinking how
i do
tending them and
you don’t know
i am
thinking
of a woman
i know who
lost a man she had known once who
i am tucking
in to her
grief
even now
you don’t see
the silhouette sketch
in shadows or the shades shifting
because they
you don’t know
i am
thinking
of a woman
i know who
lost a man she had known once who
i am tucking
in to her
grief
even now
you don’t see
the silhouette sketch
in shadows or the shades shifting
because they
are water
you don’t know then
that
i am thinking
that
we never
say i love you
anymore
you don’t know then
that
i am thinking
that
we never
say i love you
anymore
Monday, January 20, 2014
You Will
Someday
you will sigh and wonder why
or how
you let me go.
you will sigh and wonder why
or how
you let me go.
Like a conjured spirit, the image of my face will
curl before you, rise like smoke and then
twisting in the netting of your own remorse,
I will carry you back to that night.
curl before you, rise like smoke and then
twisting in the netting of your own remorse,
I will carry you back to that night.
you will see my rose tinged tears
the stain on my cheeks
You will hear my sobs.
not sweetness, not the
saccharine
tint in my veins or my kiss
tint in my veins or my kiss
And I will carry
you back to that day.
The day
you won me,
dumbstruck at your own luck
you back to that day.
The day
you won me,
dumbstruck at your own luck
but you were fearless, as was I
bewitched by allure of knowledge
and we feasted
beneath
the tantalizing
twine
of lies
bewitched by allure of knowledge
and we feasted
beneath
the tantalizing
twine
of lies
and my captivating beauty
and my scent so cloying, you began
to draft me, ill-defined
in the story in your mind
and my scent so cloying, you began
to draft me, ill-defined
in the story in your mind
but looking back, you will wonder
how or why
you had me when you had me
so wrong
and the truth
will haunt you
You will know that I was native
naked
pressed in frost to
flourish
flourish
disjoined of
my delight
my delight
So now,
I will nest inside your intellect,
take
up
vantage point
I will canter through your thoughts
and bend throughout your marrow
You will
wear my contours in your age
and collect like trinkets every recollection
I will nest inside your intellect,
take
up
vantage point
I will canter through your thoughts
and bend throughout your marrow
You will
wear my contours in your age
and collect like trinkets every recollection
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