I've swallowed words for months,
but now they're burning in my throat,
and now the wind surprises,
dropping
hope.
A friend sits close for
stroke,
soul mate of fear.
She sits too close.
Last night
I missed the stun of moon.
But in a way, in your sway, found a different glow.
In your arms,
my heart slows next to your scent,
even as my mind's
bent on instinct of escape.
Because love is a fugitive, covering her tracks
and this
time,
with luck of rain.
So, now, seems you're the only one who knows the way.
Still, I'm stilling breath and biding time,
waiting on a plan that needs not need.
Because when it's black
the forest fairies swirl
glutinous and brazen, leaning into whisper.
And they sound like you.
Lying in a mess of limbs,
my own rebel,
then surrender somewhere above my head.
Your hand knows the way to mine,
and I can almost believe then, when, quick,
it flies like night-loving fluttering bright to light,
latches, intertwines.
Creature of the wild-wood, you blend, and so then, I do, too.
A flash flickers against the back of my neck
and you reach over and slowly, unriddle what aches,
so when, then, your eyes are right above mine,
I almost think you see.
I am on the edge
of answer
when I arrive and too, when four words are made three,
but there in the center I forget the turn.
It's only, later, in paler light of city, that I find complexity in conclusion.
The Sunday Whirl
Sunday, June 23, 2013
Monday, June 10, 2013
The Artist and The Girl
He must have painted her picture a million
times, a million ways.
Depicted
stories,
scenes,
with brush stroke,
shadows.
This gypsy woman,
moving so,
so still
untainted.
Against
backdrops both
of
ordinary nature and locale, exotic,
likenesses
so alive in mind
found form and placement.
Flattered, in frock of floral, and perched on park bench,
perhaps in
Paris;
sweetly apron clad in
kitchen, though never barefoot;
a portrait in part with
taunting version of a Mona Lisa Smile;
too, in
nudity and length, the prior only he could see, the former, blanketed, so teasing;
in only tetrad color scheme and then pastels that pardoned actuality;
in oil on canvas, in a gallery on Main,
she stares out
with elbows on knees
hands on face,
rump on the front steps
in the front yard
in the forefront of his imagination,
and the green grass
sprawls
and a
Midwest Rockwellesque house they never owned looms behind.
Even slouched,
he drew her
taller
than she was.
This, he thinks, he'd keep for self, and had they owned that house, he'd hang above the mantle.
He fondly named it, "Harriet."
Sketched in solitude and also
drawn amongst the
crowd, always younger than she must have been
by now.
In one she stands against testaceous wall so that
the bright of locks
would shimmer as a halo.
Her hair, in this, he glazed in gold
really her hair was straw like
and
all the beauty he conceived, perceived and sold- a lie-
romanticized, or in terms, less contrived-
a sham.
This, is what the woman thought, as she scrutinized what she knew was meant to be her image.
Woman,
mortal,
with bohemian heart is all
so to set things
right,
she chose language instead of
hues, sentences in place of
strokes.
With blank page and lit then snuffed out cigarette, black
coffee on a desk in an aging house no younger than
the town
she'd never left,
she began to write,
erasing any superfluity,
succinct instead as suicide. She willed words
into strict formation and knocked them into
sense whenever needed. She paused once to take
off socks and rub her feet and many times she stopped, rereading, mulling over details,
frowning, and checking for any error.
Chill of fact
rounded
air
even as plot intrigued.
Hours later she was shocked to find she'd hit upon his theme.
She could see it
now,
unveiled this way in type.
Tired by the truth, she abandoned project, went outside, or rather, first to hallway, locking
the door behind her, descended the stairs of her apartment dwelling.
Rump on curb, she placed her
hands on face,
rested elbows on her knees
and watched the bustle of the city.
She felt smaller here but older.
The baby kicked inside her, eager to arrive.
She wondered, as she listened to din of traffic, how long it must have been since she had seen him.
She noticed not the thunder so though the spill of rain surprised, she stayed.
She imagined the water color hanging he'd left with her now dripping, saw the happiness he'd created fading.
She knew she couldn't, wouldn't ever be with him again.
She wished at least to see him just once more.
And had it been just three quarters of one year, since she'd seen him last, she might have soon seen him in the likeness of the child coming.
She sighed.
It had been much, much longer than just three quarters of one year.
times, a million ways.
Depicted
stories,
scenes,
with brush stroke,
shadows.
This gypsy woman,
moving so,
so still
untainted.
Against
backdrops both
of
ordinary nature and locale, exotic,
likenesses
so alive in mind
found form and placement.
Flattered, in frock of floral, and perched on park bench,
perhaps in
Paris;
sweetly apron clad in
kitchen, though never barefoot;
a portrait in part with
taunting version of a Mona Lisa Smile;
too, in
nudity and length, the prior only he could see, the former, blanketed, so teasing;
in only tetrad color scheme and then pastels that pardoned actuality;
in oil on canvas, in a gallery on Main,
she stares out
with elbows on knees
hands on face,
rump on the front steps
in the front yard
in the forefront of his imagination,
and the green grass
sprawls
and a
Midwest Rockwellesque house they never owned looms behind.
Even slouched,
he drew her
taller
than she was.
This, he thinks, he'd keep for self, and had they owned that house, he'd hang above the mantle.
He fondly named it, "Harriet."
Sketched in solitude and also
drawn amongst the
crowd, always younger than she must have been
by now.
In one she stands against testaceous wall so that
the bright of locks
would shimmer as a halo.
Her hair, in this, he glazed in gold
really her hair was straw like
and
all the beauty he conceived, perceived and sold- a lie-
romanticized, or in terms, less contrived-
a sham.
This, is what the woman thought, as she scrutinized what she knew was meant to be her image.
Woman,
mortal,
with bohemian heart is all
so to set things
right,
she chose language instead of
hues, sentences in place of
strokes.
With blank page and lit then snuffed out cigarette, black
coffee on a desk in an aging house no younger than
the town
she'd never left,
she began to write,
erasing any superfluity,
succinct instead as suicide. She willed words
into strict formation and knocked them into
sense whenever needed. She paused once to take
off socks and rub her feet and many times she stopped, rereading, mulling over details,
frowning, and checking for any error.
Chill of fact
rounded
air
even as plot intrigued.
Hours later she was shocked to find she'd hit upon his theme.
She could see it
now,
unveiled this way in type.
Tired by the truth, she abandoned project, went outside, or rather, first to hallway, locking
the door behind her, descended the stairs of her apartment dwelling.
Rump on curb, she placed her
hands on face,
rested elbows on her knees
and watched the bustle of the city.
She felt smaller here but older.
The baby kicked inside her, eager to arrive.
She wondered, as she listened to din of traffic, how long it must have been since she had seen him.
She noticed not the thunder so though the spill of rain surprised, she stayed.
She imagined the water color hanging he'd left with her now dripping, saw the happiness he'd created fading.
She knew she couldn't, wouldn't ever be with him again.
She wished at least to see him just once more.
And had it been just three quarters of one year, since she'd seen him last, she might have soon seen him in the likeness of the child coming.
She sighed.
It had been much, much longer than just three quarters of one year.
Understanding
Such fascination found,
in those small, colored orbs,
in the plink each made
when dropped upon another,
glass inside of glass,
their novel magnitude, illusion.
They appeared to float.
All mere picture.
I had forgotten the struggle,
the hands at
war,
disturbance
and its cause,
recalled not,
the crash spill
of anger at
a
sudden realization of the
disparity of what is and
what is wanted.
My own lack of memory seems ironic even now,
juxtaposed with
the girl of then,
who, no more than I,
could grasp the chasm of time.
in those small, colored orbs,
in the plink each made
when dropped upon another,
glass inside of glass,
their novel magnitude, illusion.
They appeared to float.
All mere picture.
I had forgotten the struggle,
the hands at
war,
disturbance
and its cause,
recalled not,
the crash spill
of anger at
a
sudden realization of the
disparity of what is and
what is wanted.
My own lack of memory seems ironic even now,
juxtaposed with
the girl of then,
who, no more than I,
could grasp the chasm of time.
Monday, June 3, 2013
Rara Avis
Just
the swirl of her ponytail, perfectly
positioned, painstakingly
centered
careless strands cascading just so
teasing the
back of her neck
and his mind.
He could
taste her
or imagined he could. Craved
her notice. Her figure, poised attentive, undimmed, juxtaposed with the relative blur of all others in the room
and the fidgety
shuffling of peers,
the drone of the
schoolmaster lecturing on dimensions, insignificant hum
but her soft
shifting
he heard,
his heartbeat all that vied for attention, audible witness of his lust, and
her composition all he'd managed to memorize
thus far this year, her nimble
limbs
at play at gym,
her regal movement through
the hallways.
So, powerless, when at last such substance
of rapture stood
before him, anticipation palpable. She cocked
her
head, not unkindly. He cleared his throat,
too aware of sticky palms,
willed
words
that would not come.
The Mag
The Sunday Whirl
the swirl of her ponytail, perfectly
positioned, painstakingly
centered
careless strands cascading just so
teasing the
back of her neck
and his mind.
He could
taste her
or imagined he could. Craved
her notice. Her figure, poised attentive, undimmed, juxtaposed with the relative blur of all others in the room
and the fidgety
shuffling of peers,
the drone of the
schoolmaster lecturing on dimensions, insignificant hum
but her soft
shifting
he heard,
his heartbeat all that vied for attention, audible witness of his lust, and
her composition all he'd managed to memorize
thus far this year, her nimble
limbs
at play at gym,
her regal movement through
the hallways.
So, powerless, when at last such substance
of rapture stood
before him, anticipation palpable. She cocked
her
head, not unkindly. He cleared his throat,
too aware of sticky palms,
willed
words
that would not come.
The Mag
The Sunday Whirl
I Guess
I said, I'd changed,
and now,
I'm not
so sure, because there I went
with
too many words,
too much thought.
I could blame it on too many years
of silence,
but you'd suspect the
truth,
and I suppose my declaration came, anyway,
as no wonder. So,
I could have kept it
in,
held back all
sentiment,
feigned less regard,
but seasons
more could
come and go, time continue pass,
and still my mind
would chant,
the same old, age old
fact
of
love.
And
if I
could,
I wouldn't
talk to you this way,
title you every turn.
I'd
speak grander of the air, work out
passion flowering
as it does at
times.
I'd
stop nursing the taste
of the last conversation.
I'd let it be
but I guess I haven't changed.
and now,
I'm not
so sure, because there I went
with
too many words,
too much thought.
I could blame it on too many years
of silence,
but you'd suspect the
truth,
and I suppose my declaration came, anyway,
as no wonder. So,
I could have kept it
in,
held back all
sentiment,
feigned less regard,
but seasons
more could
come and go, time continue pass,
and still my mind
would chant,
the same old, age old
fact
of
love.
And
if I
could,
I wouldn't
talk to you this way,
title you every turn.
I'd
speak grander of the air, work out
passion flowering
as it does at
times.
I'd
stop nursing the taste
of the last conversation.
I'd let it be
but I guess I haven't changed.
Hell To Pay
We all sought gold,
sifted through what
all was fertile.
And in the
human landscape waste,
saw vision; a breeding ground of yielding hearts
and temptation of possession.
Now ransacked and
deserted,
disconnected, empathy's closed up shop,
disfigured gift with barbed
wire fencing.
And by greed masking as need, demand with no
supply,
we've peddled what was not for sale, we've corrupted soul, wasted
season upon
season of
plenty, soaked up scandal while the
flesh of earth thirsted and now our efforts of restoration,
futile.
We, the horror that we imagine. All signals
out
of range and in haste to slacken
guilt, we say we have
no idea what caused the shift, the current
degradation, and we're wilting,
anchored to denial. The heat prickles, peeling
off every layer of reason,
promising ruin.
There will be hell to pay.
sifted through what
all was fertile.
And in the
human landscape waste,
saw vision; a breeding ground of yielding hearts
and temptation of possession.
Now ransacked and
deserted,
disconnected, empathy's closed up shop,
disfigured gift with barbed
wire fencing.
And by greed masking as need, demand with no
supply,
we've peddled what was not for sale, we've corrupted soul, wasted
season upon
season of
plenty, soaked up scandal while the
flesh of earth thirsted and now our efforts of restoration,
futile.
We, the horror that we imagine. All signals
out
of range and in haste to slacken
guilt, we say we have
no idea what caused the shift, the current
degradation, and we're wilting,
anchored to denial. The heat prickles, peeling
off every layer of reason,
promising ruin.
There will be hell to pay.
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