I met a man married to the past,
and married him,
and his eyes stayed fixed
on what he thought could not be altered,
and his vision lied,
intercutting
scenes of glory and grandeur
onto the picture of who he thought he was,
and so the light of sound was always lost on him
and our then now
paraded past
with dull veneer
and what was
was what
always glistened.
He had disinfected past.
Hammering with heat
of what he wanted,
he polished into
glint, the pieces,
producing slag.
I tried to introduce him to innovating tincture,
but disenchanted, he staggered back.
I tried to
tantalize him
in sepia flesh
to synchronize with story but I tore softly, over time,
within his grasp.
His fingers moved
as fast as his
lips feeling my
face to find
his own
reflection
and when the mirror finally broke,
the ground beneath us caved.
He took pictures, then,
of self and hung them
through the house-
dust encrusted,
stale art.
I indulged
flat form
but longed
for flesh
and blood.
He was as immovable as his portraits,
unmarred by truth,
and I, too, became
a prisoner
to his nostalgia
until, unpruned, I bloomed like wild lilac
upon his frame and took on exposing tint.
In wistful hope
of integration,
I tangled
with his guise
but when gallery turned to garden,
he took his shears,
and cut.
Released and banished,
I mapped my chance
at cultivation.
I left behind a figment but took
his ghost
and now I have to squint to see the sky.
The Sunday Whirl
The Mag
Tuesday, December 31, 2013
Monday, December 23, 2013
Completion
"Words are spoken at considerable cost to me..." -Edward Hoagland
Tonight, away from the euphoria,
I am waiting.
I am listening for patterns
in your breathing,
and needing sleep
to relieve
me of this new, insufferable hush.
I am needing you to break it
like you do
and tell me if my heart
is beating.
I am twisted in this cocoon of sheets
and crave emergence
of the morning.
I fear I have driven us away
from the day
the rain fell through the trees
in summer's
scenery, licked up
by sun's buttery heat and I touched
you and didn't speak, and everything
and nothing
was enough. I fear because now
it's winter.
I fear that night creeps in
and my hair turns golden
and your neck is bent
and so I gaze vainly
at my own reflection and I turn away
from you and when I return, you face
the wall
and I lie contemplative willing you to feel
my desire-
be kin to
my own sonnetist self
and see me as if after
birth, flitting against
a crimson backdrop.
See my soul's beauty when
my body's beauty
drips oil black as Jezebel's
eyes,
because only with you am I intact
and I am still in awe (in fear)
of whole.
Split for years, I don't know
how I managed to survive or live
at all.
I knew only the echo
following, flickering in the hollow
of my thought, but I could not
believe
and I learned how to weave
temptation into
satiety, drawing in only
what I did not want-
cunning spider catching fly
to pulverize
shed scent and soft-shed
kisses, devour with deceit of tongue,
but you are wingless and your limbs
the muscle of my intent, the strength
by which I grow and tonight, I feel
the amputation
in
the limp lamp light hampering
the glow of dark's usual clarity
and during this sick
paralysis of lips, I am wrestling
against the 3 A. M. noose,
choked voiceless I can not answer
and when you
give in and up, I am left alone,
incomplete mind attending to
the monsters in my head
and I can not protect you. My bones
without your frame are flimsy and gray
unwanted space, my skin. My brain
frays like an old forgotten lover's, aged
into decay and so now I know
there are two ways for me to die:
in a fever, leveled beneath your devotion
or by means of this wide chasm, slow
and tortuous.
Do your dreams, in my absence,
tell you that I'll be okay? Cure me
with your daring. Embrace me in
my reluctance
to close my eyes, and shuttle me
into your vision so that I can see me
in you.
Enter through me
and make a still life of my pieces.
The Sunday Whirl
Tonight, away from the euphoria,
I am waiting.
I am listening for patterns
in your breathing,
and needing sleep
to relieve
me of this new, insufferable hush.
I am needing you to break it
like you do
and tell me if my heart
is beating.
I am twisted in this cocoon of sheets
and crave emergence
of the morning.
I fear I have driven us away
from the day
the rain fell through the trees
in summer's
scenery, licked up
by sun's buttery heat and I touched
you and didn't speak, and everything
and nothing
was enough. I fear because now
it's winter.
I fear that night creeps in
and my hair turns golden
and your neck is bent
and so I gaze vainly
at my own reflection and I turn away
from you and when I return, you face
the wall
and I lie contemplative willing you to feel
my desire-
be kin to
my own sonnetist self
and see me as if after
birth, flitting against
a crimson backdrop.
See my soul's beauty when
my body's beauty
drips oil black as Jezebel's
eyes,
because only with you am I intact
and I am still in awe (in fear)
of whole.
Split for years, I don't know
how I managed to survive or live
at all.
I knew only the echo
following, flickering in the hollow
of my thought, but I could not
believe
and I learned how to weave
temptation into
satiety, drawing in only
what I did not want-
cunning spider catching fly
to pulverize
shed scent and soft-shed
kisses, devour with deceit of tongue,
but you are wingless and your limbs
the muscle of my intent, the strength
by which I grow and tonight, I feel
the amputation
in
the limp lamp light hampering
the glow of dark's usual clarity
and during this sick
paralysis of lips, I am wrestling
against the 3 A. M. noose,
choked voiceless I can not answer
and when you
give in and up, I am left alone,
incomplete mind attending to
the monsters in my head
and I can not protect you. My bones
without your frame are flimsy and gray
unwanted space, my skin. My brain
frays like an old forgotten lover's, aged
into decay and so now I know
there are two ways for me to die:
in a fever, leveled beneath your devotion
or by means of this wide chasm, slow
and tortuous.
Do your dreams, in my absence,
tell you that I'll be okay? Cure me
with your daring. Embrace me in
my reluctance
to close my eyes, and shuttle me
into your vision so that I can see me
in you.
Enter through me
and make a still life of my pieces.
The Sunday Whirl
"...english isn't a good language
to express emotion through
mostly i imagine because people
try to speak english instead
of trying to speak through it...."
-Nikki Giovanni
We both sat under wing of safety
looked in
and found each other
but you
ventured out first,
came in to me,
and now, together, we look
out,
and these days, I can't get my mind
anywhere but you
and I don't much care
because
even when everything else
is shitty,
and I can't pluck
all these flapping words
for anything
and the calls come as fast
as the cliches
and the tears
surprise me as much as the sight of you
standing, unruffled in the kitchen
and I'm helpless,
so huffy,
and my voice
does just what I don't want it to,
I know
it will
all be better
when you come home.
And I am rushing through the day-
maybe, for that moment-
doing this
instead of that-
satisfying what?
Waiting watched wavering
between too much
and too little.
I want to sing,
face you, inch closer.
I want to see me through your eyes
see you
through
your eyes.
I want to rhyme,
to invert,
and go out
into the world
with you like a kitschy
love song
chirping in my head,
your persuasion perched
on my shoulder.
I want you to sweet talk
me out
of my suspicion and translate
all I'm sick
of speaking of.
I want your hands as warm as coffee
in the morning, to stay in bed all day
and keep me safe,
and to just be me
with you and
you
be
you.
I'll go in even when I'm afraid,
I'll go in breathing in and out, slow
like you're standing in our kitchen
and I'll nest
where you do
and turn in and out, softened
and turn in and out
what is in and out of me
so I am ready.
to express emotion through
mostly i imagine because people
try to speak english instead
of trying to speak through it...."
-Nikki Giovanni
We both sat under wing of safety
looked in
and found each other
but you
ventured out first,
came in to me,
and now, together, we look
out,
and these days, I can't get my mind
anywhere but you
and I don't much care
because
even when everything else
is shitty,
and I can't pluck
all these flapping words
for anything
and the calls come as fast
as the cliches
and the tears
surprise me as much as the sight of you
standing, unruffled in the kitchen
and I'm helpless,
so huffy,
and my voice
does just what I don't want it to,
I know
it will
all be better
when you come home.
And I am rushing through the day-
maybe, for that moment-
doing this
instead of that-
satisfying what?
Waiting watched wavering
between too much
and too little.
I want to sing,
face you, inch closer.
I want to see me through your eyes
see you
through
your eyes.
I want to rhyme,
to invert,
and go out
into the world
with you like a kitschy
love song
chirping in my head,
your persuasion perched
on my shoulder.
I want you to sweet talk
me out
of my suspicion and translate
all I'm sick
of speaking of.
I want your hands as warm as coffee
in the morning, to stay in bed all day
and keep me safe,
and to just be me
with you and
you
be
you.
I'll go in even when I'm afraid,
I'll go in breathing in and out, slow
like you're standing in our kitchen
and I'll nest
where you do
and turn in and out, softened
and turn in and out
what is in and out of me
so I am ready.
Monday, December 16, 2013
Under Cover
"There is something haunting in the light of the moon..." -Joseph Conrad
The moon is pulling waves, even in our bedroom,
tonight, in the middle blue, and I am trying to find
where to talk
from
and my voice. I rarely speak freely and when
you look at me, I look away.
I am
trying
to speak from what I know. Simple words
naming happiness or
sadness.
This is hard because have you noticed it's never
really fully dark, even at night? Even
under cover
snatched up and around to hide from the breeze
or the heat
or your eyes?
Under cover of the stars that fall when
obscurity's passion breaks.
I don't know how to unslant
sadness and even less
how to tread
these tides where my center
bends.
How to say that every single
other
other or
nightdayyearlife was a lie and this
is the truth.
How to unglorify,
unmuddy
this pastpresentfuture and see
one moment as clay-
just touch
just hold it
in my hands, squish
it through
my fingers without some
grand plan to mold it
into
a gigantic, daunting whole story
paralysis.
I have binged
on words, shoving them
into an overpacked
sentiment and then had to lug
them back home.
I have boxed them neatly, organizing
them sterile and tidy.
Square and tight for an overhead bin
and flight. I, tonight, can not
give them wings but
maybe, I can
defer to Angel of One Woman's, All Women's
Blackouts and Clean Sheets
and Fire and Hope and Love Affairs
and I can ask her,
"Do you know taut pull of moon,
its haunting light(ness)?
Do you know how to speak of one
without
the other. Other
without the one?"
Apart from all these words and still pulled
everything paired is one.
The moon speaks without
words
and I am trying
to say that (happy or sad) I love you.
The Sunday Whirl
The moon is pulling waves, even in our bedroom,
tonight, in the middle blue, and I am trying to find
where to talk
from
and my voice. I rarely speak freely and when
you look at me, I look away.
I am
trying
to speak from what I know. Simple words
naming happiness or
sadness.
This is hard because have you noticed it's never
really fully dark, even at night? Even
under cover
snatched up and around to hide from the breeze
or the heat
or your eyes?
Under cover of the stars that fall when
obscurity's passion breaks.
I don't know how to unslant
sadness and even less
how to tread
these tides where my center
bends.
How to say that every single
other
other or
nightdayyearlife was a lie and this
is the truth.
How to unglorify,
unmuddy
this pastpresentfuture and see
one moment as clay-
just touch
just hold it
in my hands, squish
it through
my fingers without some
grand plan to mold it
into
a gigantic, daunting whole story
paralysis.
I have binged
on words, shoving them
into an overpacked
sentiment and then had to lug
them back home.
I have boxed them neatly, organizing
them sterile and tidy.
Square and tight for an overhead bin
and flight. I, tonight, can not
give them wings but
maybe, I can
defer to Angel of One Woman's, All Women's
Blackouts and Clean Sheets
and Fire and Hope and Love Affairs
and I can ask her,
"Do you know taut pull of moon,
its haunting light(ness)?
Do you know how to speak of one
without
the other. Other
without the one?"
Apart from all these words and still pulled
everything paired is one.
The moon speaks without
words
and I am trying
to say that (happy or sad) I love you.
The Sunday Whirl
I Wonder
Okay, this was very experimental for me. Writing in my own voice. How I might talk. But it brought out something that I didn't know was there!
I would never feed
the birds. They're gross.
Remind me of the Alfred Hitchcock movie.
You know, The Birds, where the whole point
of the movie was....birds. Attacking.
Tons of them.
Jenny had a thing with
seagulls. She'd take tons of pictures of them
when we'd be at the beach.
Chasing, them, practically.
She also used to run into them with her car.
All the time. I've never really known anyone
else that happened to.
She cried all the time, too.
Was afraid of bees. Bees made her cry.
Joey, who looked like a tapeworm, made her cry.
I think something else, really, was making her cry.
I never got the bird thing,
just chalked it up to another peculiarity.
It was kind of funny at the time.
She got a huge kick out of the birds
stealing chip bags or any left over food items.
She laughed maybe as much as she cried-
and really, I never understood that, either,
she'd laugh loud. Silly.
My mom would cringe-
bring it up for years afterward:
"Remember, when you and Jenny
laughed and
laughed about the twins
across the street?"
she'd ask and then sigh.
I don't even know if I'd want
to feed ducks.
They peck and chase and
I think it's the feathers
that gross me out.
Make me think of lice.
I probably would do it for my kids.
I think about Jenny
all the time
and wonder if she's okay.
Any happier.
Her crazy, big smile
and her throwing her head
back and crying and crying
in the schoolyard over Joey.
Her mom's frustration.
My mom's frustration.
I wonder if Jenny still wants kids.
dVerse
The Mag
Saturday, December 14, 2013
Adventure
adventures are a funny thing
My prince, my knight,
easy
enough to find
riding in to save the day.
like I found you
I the damsel in distress,
and now every day is an adventure
not knowing I needed you to stay,
us being us
and you refused to leave,
in our mess
armed
and facing fire
of
fear,
sword in hand, dragon to slay.
and chaos
I stood far but still near
wed and woven
not quite sure who was more dangerous-
full family
framed
in the fun
man with sword or beast
of cooking
of lies,
favorite dishes
scorching hot. But the prince always wins
decorating for the holidays
the battle, and so the princess.
hiding sometimes from the allthetime
And I was the fire armed with words
riding the waves
making up the stories and the fairy tales and the horrors
I found us in you a funny thing
but you did your job so I let down my hair or was swept onto your trusty steed
adventure
and we rode off into the sunset
Imaginary garden with real toads
My prince, my knight,
easy
enough to find
riding in to save the day.
like I found you
I the damsel in distress,
and now every day is an adventure
not knowing I needed you to stay,
us being us
and you refused to leave,
in our mess
armed
and facing fire
of
fear,
sword in hand, dragon to slay.
and chaos
I stood far but still near
wed and woven
not quite sure who was more dangerous-
full family
framed
in the fun
man with sword or beast
of cooking
of lies,
favorite dishes
scorching hot. But the prince always wins
decorating for the holidays
the battle, and so the princess.
hiding sometimes from the allthetime
And I was the fire armed with words
riding the waves
making up the stories and the fairy tales and the horrors
I found us in you a funny thing
but you did your job so I let down my hair or was swept onto your trusty steed
adventure
and we rode off into the sunset
Imaginary garden with real toads
At Home
I made stories up -an entire category of weapons. I felt quite at home in the waging of war.
I grew up....surprised many. It seemed the right thing to do.
The objective is connections....Your vision changes....
capacity has been destroyed.
I was just a peculiar person.
It
is of course a huge challenge....All the time!
All the time!
but
small
steps
can produce large results.
My mother
would have thought an admirable
thing.... a solution to
the whole conflict
and never wavered...
difficult
but developments are promising...
I talked a little too much, you know...
agreement was important...
made more
easy...
no...it's done...completely...it was only made up...
Found Poetry from:
Nobel Conversation with Alice Munro
and
I grew up....surprised many. It seemed the right thing to do.
The objective is connections....Your vision changes....
capacity has been destroyed.
I was just a peculiar person.
It
is of course a huge challenge....All the time!
All the time!
but
small
steps
can produce large results.
My mother
would have thought an admirable
thing.... a solution to
the whole conflict
and never wavered...
difficult
but developments are promising...
I talked a little too much, you know...
agreement was important...
made more
easy...
no...it's done...completely...it was only made up...
Found Poetry from:
Nobel Conversation with Alice Munro
and
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